Atlas St. Louis: The Fate of The Landscape
For artists in St. Louis, the fissures that mark the city are personal and localized, the landscape posing entry points for future action.
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Staying Put
St. Louis now offers a model for the critical reinvention of the art world as a whole.
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“Encoded”
It risks oversimplification to read the recent group show “Encoded” as a rejoinder to the racially charged controversy around Kelley Walker’s fall retrospective at the Contemporary Art Museum St. Loui…
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Tala Madani
Painter Tala Madani’s show in St. Louis provided a concise primer on her work, featuring her hallmark subject: men, nude or almost so, perhaps Middle Eastern and probably middle-aged, in situations bo…
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“To See Without Being Seen: Contemporary Art and Drone Warfare”
The latest in a series of exhibitions at the Mildred Lane Kemper Art Museum to explore themes of war and trauma, “To See Without Being Seen: Contemporary Art and Drone Warfare” is compelling and unexp…
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Explore Our Art Partners
Olivier Mosset
Launched last September by artists Amy Granat and Annina Herzer, Parapet/Real Humans occupies a windowless, appointment-only exhibition space on St. Louis's residential south side. It has already buil…
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Zlatko Ćosić
A refugee of the Yugoslav wars, Zlatko Ä?osiÄ? reflects on his transcultural survival narrative in the seven video works that comprised "Still Adjusting," his recent solo exhibition at Gallery 210 at…
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B Wurtz
B. Wurtz, who has created found-object assemblages for the past four decades, has recently received much praise as an under-recognized master, and this exhibition further justified the accolades…
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Chelsea Knight
In a 2011 interview, New York-based artist Chelsea Knight asserted, “Relationships of power are at the core of every social interaction.
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Balazs Kicsiny
Balázs Kicsiny's installation "Killing Time" (2012) seems plucked from a lost Peter Greenaway film-some arch pantomime of pleasure courting death in a halted interstice of time. One enters a single…
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