The Chicago Architecture Biennial Radically Rethinks Landscapes of Power
The charged, evocative third edition of the Chicago Architecture Biennial pivots away from the young initiative's early hallmarks.
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“The Earth Will Not Abide”
"The Earth Will Not Abide" is a group show comprised mostly of artists active in the Midwest and in a loosely composed group called Compass.
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“Condemned to be Modern”
Rather than tell the story of the Latin American modernism that the works in the show responded to, "Condemned" was designed to produce a fragmentary, constellated, mediated portrait.
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Autumn Knight
Autumn Knight, originally from Houston and lately based in New York, is best known for her charged performance works.
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“Encoded”
It risks oversimplification to read the recent group show “Encoded” as a rejoinder to the racially charged controversy around Kelley Walker’s fall retrospective at the Contemporary Art Museum St. Loui…
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Eric Wesley
Fifteen minutes from St. Louis’s Gateway Arch, just across the Mississippi River in Cahokia, Illinois, the Los Angeles artist Eric Wesley has been tinkering in the shell of a former Taco Bell…
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Suburban Futurism
Arguing that urban sprawl is the dominant growth paradigm of the present and future, the author advocates a close examination of dynamic, amorphous metroplexes like Phoenix and Dubai.
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“Megacities Asia”
The broad title of the MFA’s spring headliner belies the exhibition’s narrow focus. Far from a sweeping survey of art from and about Asia’s vast urban agglomerations, the show features work by just un…
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Tala Madani
Painter Tala Madani’s show in St. Louis provided a concise primer on her work, featuring her hallmark subject: men, nude or almost so, perhaps Middle Eastern and probably middle-aged, in situations bo…
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