While media art organizations have touted the importance of preservation—a field plagued with its own technical issues—we need to think more about display.
Conservators are rushing to keep pace with technology as they find ways to extend the working lives of art made with code, VHS tapes, and other rapidly changing platforms
Leonardo's Last Supper (2008) is the second work in a Peter Greenaway series aimed at revitalizing great paintings that have become so broadly familiar we have lost the knack of really seeing them.